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The name Kuraokami combines kura 闇 "dark; darkness; closed" and okami 龗 "dragon tutelary of water". This uncommon kanji (o)kami or rei 龗, borrowed from the Chinese character ling 龗 "rain-dragon; mysterious" (written with the "rain" radical 雨, 3 口 "mouths", and a phonetic of long 龍 "dragon") is a variant Chinese character for Japanese rei < Chinese ling 靈 "rain-prayer ...
Chinese dragon mythology is the source of Japanese dragon mythology. Japanese words for "dragon" are written with kanji ("Chinese characters"), either simplified shinjitai 竜 or traditional kyūjitai 龍 from Chinese long 龍. These kanji can be read tatsu in native Japanese kun'yomi, [b] and ryū or ryō in Sino-Japanese on'yomi. [c]
Armenian lullabies of the modern era, from the Urban Folk genre, include Ari, Im Sokhak (Come, My Nightingale), Anush Knik (Sweet Sleep), and Nazei Oror (Lullaby of Naze), the latter telling of the horrors of the Armenian genocide: The caravan passed With a burden of tears And in the black desert Fell to its knees Exhausted Ah, with the pain of ...
The first verse of the song. Hotaru no Hikari (蛍の光, meaning "Glow of a firefly") is a Japanese song incorporating the tune of Scottish folk song Auld Lang Syne with completely different lyrics by Chikai Inagaki, first introduced in a collection of singing songs for elementary school students in 1881 (Meiji 14).
Mizuchi is also the Japanese transliteration for several Chinese glyphs, [3] each glyph putatively representing a type of Chinese dragon: namely the jiāolóng (蛟竜; Japanese: kōryū) or "4-legged dragon", the qiúlóng (虬竜 or 虯竜; Japanese: kyūryū) or "hornless dragon" and the chīlóng (螭竜; Japanese: chiryū) or "yellow dragon".
Variant 1: daito or otodo Variant 2: taito Taito, daito, or otodo (𱁬/) is a kokuji (kanji character invented in Japan) written with 84 strokes, and thus the most graphically complex CJK character—collectively referring to Chinese characters and derivatives used in the written Chinese, Japanese, and Korean languages.
In his final moments, “House of the Dragon’s” King Viserys was, well, not quite himself. Enfeebled and riddled with disease, his final words were spoken in an empty, darkened room.
The earliest written sources of Old Japanese transcribe the name of the sea god in a diverse manner. The c. 712 CE Kojiki (tr. Basil Hall Chamberlain 1883) writes it semantically as 海 神 lit. "sea god" and transcribes it phonetically with man'yōgana as Wata-tsu-mi, 綿 津 見, lit. "cotton port see" in identifying Ōwatsumi kami and the Watatsumi Sanjin.