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A table of magical correspondences is a list of magical correspondences between items belonging to different categories, such as correspondences between certain deities, heavenly bodies, plants, perfumes, precious stones, etc. [1] Such lists were compiled by 19th-century occultists like Samuel Liddell Mathers and William Wynn Westcott (both members of the Hermetic Order of the Golden Dawn ...
Raymond Howard was an English practitioner of the modern Pagan new religious movement of Wicca. He promoted his tradition, known as the Coven of Atho, through a correspondence course established in the early part of the 1960s. In the late 1950s, Howard lived in Charlwood, Surrey, where he worked for the psychologist and Wiccan Charles Cardell.
Its English translation is witchcraft, from the Twi dialect word 'obeyi'. A wanga (sometimes spelled ouanga or wanger) is a magical charm packet found in the folk magic practices of Haiti, and as such it is connected to the west African religion of Vodun, which in turn derives from the Fon people of what is now Benin.
Ceremonial magic (also known as magick, ritual magic, high magic or learned magic) [1] encompasses a wide variety of rituals of magic.The works included are characterized by ceremony and numerous requisite accessories to aid the practitioner.
Michael Howard (1948–2015) was an English practitioner of Luciferian witchcraft and a prolific author on esoteric topics. From 1976 until his death he was the editor of The Cauldron magazine. Born in London , Howard developed an interest in supernatural subjects through fiction literature, later exploring Tibetan Buddhism after a near death ...
The Church and School of Wicca was founded by Gavin Frost and Yvonne Frost in 1968. It was the first federally recognized Church of the religion known as Wicca in the United States. It is known for its correspondence courses on the Frosts' unique interpretation of Wicca.
It is also known as the Honorian alphabet or the Runes of Honorius after the legendary magus (though Theban is dissimilar to the Germanic runic alphabet), or the witches' alphabet due to its use in modern Wicca and other forms of witchcraft as one of many substitution ciphers to hide magical writings such as the contents of a Book of Shadows ...
There are two sources for the text Gardner used to make this chant. The opening lines, with their repeated Eko eko refrain, apparently come from an article published in a 1921 edition of the journal Form [5] by J. F. C. Fuller, on "The Black Arts", reprinted in The Occult Review in April 1926, though "The Occult Review" 1923 is frequently mis-cited.
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