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Binghamton, N.Y.: Medieval and Renaissance Texts and Studies, 1983, 69-73. "Cassandra Fedele: Oration in praise of letters." Translated and edited by Margaret L. King and Albert Rabil, Jr. Her Immaculate Hand: Selected Works by and about the Women Humanists of Quattrocento Italy. Binghamton, N.Y.: Medieval and Renaissance Texts and Studies ...
She challenged traditional periodization, saying that women's historical experience was different to that of men's, and that while men's options may have expanded during the Renaissance period that the opposite was true for women. Drawing on contemporary literature, Kelly argued that concepts of courtly love led to an increased emphasis on ...
Download as PDF; Printable version; In other projects ... Help. Notable women associated with the Renaissance era (circa 1450-1600). Subcategories. This category has ...
She inspired generations of artists and writers, among them Lauro Quirini and Ludovico Foscarini , and contributed to a centuries-long debate in Europe on gender and the nature of women. [ 2 ] Nogarola is best known for her 1451 work De pari aut impari Evae atque Adae peccato (trans. Dialogue on the Equal or Unequal Sin of Adam and Eve).
Veronica Franco was born to a family in the Cittadino class. [1] She developed her position in Renaissance Venetian society as a cortigiana onesta (Honest Courtesan), who were intellectual sex workers who derived their position in society from refinement and cultural prowess.
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6 April (Good Friday) – Tuscan writer Petrarch sees a woman he names Laura in the church of Sainte-Claire d'Avignon, which awakes in him a lasting passion. He writes a series of sonnets and other poems in Italian dedicated to her up to about 1368, which are collected into Il Canzoniere, an influential model for Renaissance culture.
Women, Art and Society, London: Thames and Hudson, 1990. Cole, Michael Wayne. Sofonisba's Lesson: A Renaissance Artist and Her Work. Princeton: Princeton University Press, 2019. Garrard, Mary D. "Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist." Renaissance Quarterly 47 (1994), 556-662. https://www.jstor.org ...