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"Procession" is the only Moody Blues song credited to the entire band (not counting the Redwave credit on Days of Future Passed). Lodge's contributions included "Emily's Song", written for his newly born daughter, while Thomas's reflective "Our Guessing Game" and whimsical "Nice to Be Here" offset the deeper drama of Hayward's "You Can Never Go ...
The Moody Blues scored three top-ten singles on the Billboard Hot 100, with "Nights in White Satin" reaching number 2 in Billboard and number 1 in Cashbox. On the UK singles chart , the group also had three top-ten hits, with " Go Now " reaching number 1.
"Gemini Dream" is a song written by Justin Hayward and John Lodge that was released by The Moody Blues on their 1981 album Long Distance Voyager and also as the lead single from the album. It reached number 12 on the US Hot 100, as well as number 1 on the Canada RPM Top 100 Singles chart. It ranked as the 28th biggest Canadian hit of 1981.
"Driftwood" is a 1978 single by the English progressive rock band the Moody Blues. It was the second single released from the album Octave , after " Steppin' in a Slide Zone ". Written by Justin Hayward , "Driftwood" is a slow love ballad, in a similar manner to " Nights in White Satin " and " Never Comes the Day ."
"The Best Way to Travel" is a 1968 song by the progressive rock band the Moody Blues. Written by keyboardist Mike Pinder , it was released on the album In Search of the Lost Chord . [ 1 ] A wide stereo panning ( ping-pong stereo ) effect, made by the pan pots on the Decca Studios custom-built four-track recording console (with 20 microphone ...
on YouTube " Eternity Road " is a song by the band the Moody Blues , written by band member Ray Thomas , from their 1969 album To Our Children's Children's Children . [ 1 ]
Octave is the ninth album by the Moody Blues (the eighth by this particular line-up), released in 1978, and their first release after a substantial hiatus following the success of the best-selling Seventh Sojourn in 1972.
Caught Live is the first Moody Blues album since Days of Future Passed not to feature cover artwork by Philip Travers. Decca Records instead used British art design group Hipgnosis . The "+5" studio tracks were re-released on their 1987 album Prelude .