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A third method uses a pictorial tablature similar to the ocarina's finger hole pattern, with blackened holes that represent holes to cover. The tablature represents the holes on the top of the ocarina, and, where necessary, the holes on the underside. This enables easy playing, particularly for beginners. The two most popular tablature systems are:
The xun is an egg-shaped aerophone, containing at least three finger holes in front and two thumb holes in back. It has a blowing hole on top and can have up to ten smaller finger holes, one for each finger. It is similar to an ocarina but does not contain a fipple mouthpiece, unlike other Chinese flute-like instruments, such as the Wudu and ...
Sheng (Chinese: 笙; pinyin: shēng) – free reed mouth organ consisting of varying number of bamboo pipes inserted into a metal (formerly gourd or hardwood) chamber with finger holes Baosheng (抱笙) – larger version of the Sheng; Yu (Chinese: 竽; pinyin: yú) – ancient free reed mouth organ similar to the sheng but generally larger
A vessel flute with two fingering holes of the same size can sound three notes (both closed, one open, both open). A vessel flute with two fingering holes of different sizes can sound four notes (both closed, only the smaller hole open, only the bigger hole open, both open). The number of notes increases with the number of holes:
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Exercises 1 - 20: Labeled "preparatory exercises", these are also the most famous exercises, and are used to develop finger strength and independence. Each exercise contains a sequence of 8 semiquavers, beginning on C, which is then repeated starting on D, and so on across two octaves. The exercise is then repeated in reverse down two octaves ...
Bach's new fingering retained many features of the conventional fingering up until that point, including the passing of one finger under or over another (playing many of Bach's works requires such fingering, especially passing the third finger over the fourth or the fourth finger over the fifth.), but introduced the far greater use of the thumb.
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