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The Self Portrait of Italian baroque artist Artemisia Gentileschi was painted in the early 1630s. It currently hangs in the Palazzo Barberini, Rome. It is one of many paintings where Gentileschi depicts herself. Beyond self-portraits, her allegorical and religious paintings often featured herself in different guises.
Two important manuscript notebooks by Garzoni exist. The rare books library in Washington DC, Dumbarton Oaks, contains a self-portrait of the elderly artist, in addition to a number of botanical studies. Another album, held by the Accademia di San Luca, the artists' institute to which Garzoni left her estate, includes flower studies and still ...
The grand manner, vigorous coloration or luminosity, and dynamic emotion of the Bolognese-Roman Baroque are foreign to Dolci and to Baroque Florence. While he fits into a long tradition of prestigious official Florentine painting, Dolci appears constitutionally blind to the new aesthetic, shackled by the Florentine tradition that holds each ...
The Young Sick Bacchus (Italian: Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome.
Unlike other artists self-portraits of the time, Self-portrait as a Lute Player does not have direct symbolism connecting Gentileschi to being a painter, nor does it reflect her social status. [6] Mary Garrard suggests the turban on her head could be a connection to a portrait drawing of Michelangelo wearing a similar headpiece. [ 7 ]
Self-Portrait with a Sunflower is a self-portrait by Anthony van Dyck, a Flemish Baroque artist from Antwerp, then in the Spanish Netherlands. The oil on canvas painting is generally between 1632 and 1633. His successful ventures in the Spanish Netherlands and Italy propelled van Dyck into a career as court painter. [1]
Self-Portrait as Saint Catherine of Alexandria is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London , which purchased it in 2018 for £3.6 million, including about £2.7 million from its American ...
Self-portrait (c. 1645), oil on canvas, 61 x 45 cm., (Musée des Beaux-Arts de Strasbourg) Portrait of Lucrezia Paolini (c. 1656 –60), oil on canvas, 66 x 50.5 cm., Galleria Nazionale d'Arte Antica. In 1640, Rosa met Lucrezia Paolini (c. 1620 –1696) in Florence. Lucrezia was a married woman, whose husband had left the city and abandoned her ...