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The raven (Hebrew: עורב ; Koine Greek: κόραξ) is the first species of bird to be mentioned in the Hebrew Bible, [5] and ravens are mentioned on numerous occasions thereafter. In the Book of Genesis, Noah releases a raven from the ark after the great flood to test whether the waters have receded (Gen. 8:6–7).
Huginn and Muninn. In Norse mythology, Huginn (Old Norse "thought" [1]) and Muninn (Old Norse "memory" [2] or "mind" [3]) are a pair of ravens that fly all over the world, Midgard, and bring information to the god Odin. Huginn and Muninn are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources: the Prose ...
Ravens in the Tower of London, from London Town (1883) The first two known depictions of ravens in the Tower of London both date from the year 1883. One is in a special edition of the newspaper The Pictorial World and the other is from the children's Book London Town, [42] written by Felix Leigh and illustrated by Thomas Crane and Elizabeth ...
Andras [5] is a Great Marquis of Hell, having under his command thirty legions of demons. He sows discord among people. According to the Goetia, Andras was a Grand Marquis of Hell, appearing with a winged angel's body and the head of an owl or raven, riding upon a strong black wolf and wielding a sharp and bright
—Edgar Allan Poe "Not the least obeisance made he" (7:3), as illustrated by Gustave Doré (1884) "The Raven" follows an unnamed narrator on a dreary night in December who sits reading "forgotten lore" by the remains of a fire as a way to forget the death of his beloved Lenore. A "tapping at [his] chamber door" reveals nothing, but excites his soul to "burning". The tapping is repeated ...
However, Bosch is innovative in that he describes hell not as a fantastical place but as a realistic world containing many elements from day-to-day human life. [43] Gibson compares this "Prince of Hell" to a figure in the 12th-century Irish religious text Vision of Tundale, who feeds on the souls of corrupt and lecherous clergy. [47]
The 11th century Ledberg stone in Sweden, similarly to Thorwald's Cross, features a figure with his foot at the mouth of a four-legged beast, and this may also be a depiction of Odin being devoured by Fenrir at Ragnarök. [36] Below the beast and the man is a depiction of a legless, helmeted man, with his arms in a prostrate position. [36]
Inferno (Italian: [iɱˈfɛrno]; Italian for ' Hell ') is the first part of Italian writer Dante Alighieri 's 14th-century narrative poem The Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil.