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Janet Jackson earned six number-one songs on the Billboard Hot 100 chart during the 1990s. Whitney Houston's cover of "I Will Always Love You" spent 14 weeks at the top of the Billboard Hot 100, which at the time was a record. [4] [5] Lisa Loeb became the first artist to score a #1 hit before signing to any record label, with "Stay (I Missed You)".
This is a list of songs that have peaked at number one on the Billboard Hot 100 and the magazine's national singles charts that preceded it. Introduced in 1958, the Hot 100 is the pre-eminent singles chart in the United States, currently monitoring the most popular singles in terms of popular radio play, single purchases and online streaming.
Wilson Phillips (pictured) had two songs on the Year-End Hot 100, "Hold On" at number one and "Release Me" at number 19. Janet Jackson (pictured) had five songs on the Year-End Hot 100, the most of any artist in 1990. Phil Collins (pictured) had four songs on the Year-End Hot 100. This is a list of Billboard magazine's Top Hot 100 songs of 1990 ...
It spent 12 weeks in the No. 1 position on the Billboard Hot 100 chart, which was well-deserved, because it was (and is) the song for getting a crowd going. Sony Music Entertainment / Via youtube.com
Anchored by Ol’ Dirty Bastard and an unforgettable intro, “Fantasy (Remix)” seamlessly blended pop with hip-hop, creating a blueprint for Billboard success that artists today still ...
Songs stayed on the chart for a long time and fewer songs made it on the chart. Ten songs had runs at number one of ten weeks or longer during the 1990s, with the longest coming from "Touch, Peel and Stand" by Days of the New at 16 weeks. ("Higher" by Creed spent 17 weeks at the top of the chart but its last couple of weeks ran into the year 2000).
MTV, VH1—you couldn’t turn on the tube without seeing the critically-acclaimed music video for this chart-topping hit from early ‘90s alt-rock giants R.E.M. Call it campus rock, if you will ...
The mid-1990s also witnessed a drastic difference between what reached the top of the Mainstream Top 40 chart and the Hot 100, when songs started being promoted to radio and receiving significant airplay without the release of a commercially available single, a requirement for a song to reach the Hot 100. Thus, number-one songs on the ...