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Isabelo Zenón Cruz assessed that Puerto Rican vernacular religions (and really any Afro-Latino religions) have been only studied by folklorists but not comparative religionists due to “classist and racist assumptions”. In Puerto Rico, brujeria has evolved from Indigenous Taino beliefs, African spiritual practices, and Spanish Catholicism.
Con el diablo en el cuerpo is a 1947 Argentine film of the classical era of Argentine cinema, directed by Carlos Hugo Christensen and starring Susana Freyre, Juan Carlos Thorry and Tito Gómez. [ 1 ] It is a remake of the 1937 Italian film I've Lost My Husband! .
Brujerizmo is the third studio album by American metal band Brujeria. It features a more groove-oriented style, with a clear and refined sound as opposed to the deathgrind style of the previous albums. It also marked the last release composed of new material by the band released by Roadrunner Records.
Al diablo con los guapos (English title: Down with the Beautiful) is a Mexican telenovela produced by Angelli Nesma Medina for Televisa. It aired on Canal de las Estrellas from October 8, 2007 to June 6, 2008. It is a remake of Argentinian telenovela Muñeca Brava. It stars Allisson Lozz, Eugenio Siller, Laura Flores, César Évora, and Andrés ...
The Night of the Witches aka Night of the Sorcerers (Spanish: La Noche de los Brujos) is a 1974 horror film which starred Maria Kosti, Loli Tovar aka Maria Dolores del Loreto Tovar, Barbara King, Kali Hansa aka Marisol Hernandez, Jack Taylor, Simón Andreu, and Joseph Thelman.
When the pieces of a singular figure are unearthed and then joined, a devil of the lowest category breaks into a small Mediterranean village. From that moment on, the demon will enter the life of a painter named Bernardino, in the affairs of a "modern" marriage, in the existence of a frightened gardener and, finally, in the day-to-day life of the Great Momo.
The Diablada, also known as the Danza de los Diablos (English: Dance of the Devils), is an Andean folk dance performed in Bolivia, in the Altiplano region of South America, characterized by performers wearing masks and costumes representing the devil and other characters from pre-Columbian theology and mythology.
The Bewitched Man (also known as The Devil's Lamp) is a painting completed c. 1798 by Francisco José de Goya y Lucientes. [1] It is an oil painting on canvas and depicts a scene from a play by Antonio de Zamora called The man bewitched by force (Spanish: El hechizado por fuerza).