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Godfrey I (died 1002), called the Prisoner or the Captive [1] (le Captif), sometimes the Old (le Vieux), was the count of Bidgau and Methingau from 959 and the sovereign count of Verdun [2] [3] 963 to his death. In 969, he obtained the Margraviate of Antwerp and Ename. Between 974 and 998, he was also the sovereign count of Hainault and Mons
Godfrey I (born 940/945; died 964) was the count of Hainault from 958 and margrave or vice-duke of Lower Lorraine from 959, when that duchy was divided by Duke Bruno, who remained duke until his death in 964.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
With the world's annual celebration of his birth mere weeks away, it turns out one of the most revered figures who ever walked the Earth likely didn't look like the pictures of him.
Godfrey III could again strengthen his position, when in 1054 he married Beatrice, a sister of the later Upper Lorraine duke Frederick III, and ruled as Margrave of Tuscany from 1056. He reconciled with the emperor and in 1065 regained the Duchy of Lower Lorraine from the hands of King Henry IV .
963–1002 Godfrey I, called the Prisoner, son of Gothelo, Count of Bidgau, son of Wigeric and Cunigunda, and Uda of Metz; married Matilda, daughter of Herman, Duke of Saxony; 1002–1012 Godfrey II, son of previous, duke of Lower Lorraine from 1012 to his death in 1023; 1012–1022 Frederick, brother of previous
Gozlin (c. 911 – between 19 October 942 and 16 February 943) was count of the Ardennes and the Bidgau. He was also army commander for his brother, Adalbero I of Metz. [1] Gozlin was a son of Count Palatine Wigeric of Lotharingia and Cunigunda of France. [2]
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...