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Campbell's monomyth described a universal narrative of the myth of the hero's journey which he claimed had disappeared in contemporary culture. Lawrence and Jewett described an American evolution of this mythological structure that reflected a deep antipathy to democratic institutions through the violent actions of a hero who remains separate ...
[8] [9] Campbell's singular the monomyth implies that the "hero's journey" is the ultimate narrative archetype, but the term monomyth has occasionally been used more generally, as a term for a mythological archetype or a supposed mytheme that re-occurs throughout the world's cultures.
In contrast, Jewett and Lawrence define the American monomyth as: A community in a harmonious paradise is threatened by evil; normal institutions fail to contend with this threat; a selfless superhero emerges to renounce temptations and carry out the redemptive task; aided by fate, his decisive victory restores the community to its paradisiacal ...
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The similarities of these myths brought Campbell to write his book in which he details the structure of the monomyth. He calls the motif of the archetypal narrative, "the hero's adventure". In a well-known passage from the introduction to The Hero with a Thousand Faces, Campbell summarizes the monomyth:
The authors propose that the American heroic ideal, conveyed in formula stories of "the American monomyth," is explicitly anti-democratic and contagious. Crusading loners, attracted by guns, bombs, and the call to destroy evil, act out the premises of the myth with tragic consequences.
The Hero' s journey (phrase): An article which is very similar to the Monomyth article - that is, a discussion of the Hero's journey concept outlined by Campbell. The Hero's Journey (note different capitalization and spacing): An article limited to a discussion of a separate book and documentary with that title about the life of Joseph Campbell.
According to Marquard, the chief example of a monomyth is that of world history as progress toward emancipation. This myth emerged in the mid-18th century philosophy of history and turned "histories" into the singular "history". [19] Marquard calls it the second end of polymythical thinking; the first was the end of religious polytheism.