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"Lean on Me" is a song written and recorded by American singer-songwriter Bill Withers. It was released in April 1972 as the first single from his second album, Still Bill . It was a number one single on both the soul and Billboard Hot 100 charts, the latter chart for three weeks in July 1972. [ 2 ]
The album is composed of electronic ambient pieces, similar to Aphex Twin's Selected Ambient Works releases. Like the Aphex Twin releases, the work is mainly instrumental (although there are samples of the sound of a choir vocalizing on "Tongues", and a woman saying "bad days" in the background of "Bad Days").
The liner notes and lyrics reflect singer Paul Heaton's interest at that time in Christianity and Marxism. For example, the back cover of the album contains the message, "Take Jesus – Take Marx – Take Hope". The CD release of the album featured four additional tracks along with the front cover phrase, "16 songs – 17 hits!".
William Harrison Withers Jr. (July 4, 1938 – March 30, 2020) was an American singer and songwriter. He is known for having several hits over a career spanning 18 years, including "Ain't No Sunshine" (1971), "Grandma's Hands" (1971), "Use Me" (1972), "Lean on Me" (1972), "Lovely Day" (1977) and "Just the Two of Us" (1980) (recorded in collaboration with Grover Washington Jr.).
Dan Shea – piano, keyboards and rhythm programming on "Lean On Me" Nathan East – bass on "Lean On Me" Michael Landau – guitar On "Lean On Me" Ricky Lawson – drums on "Lean On Me" Jeremy Haynes – live drums on "Riverside" Malcolm Robertson – trombone on "My Desire" Skip Warren– trumpet on "My Desire"
"Lean on Me", an Amazon Original remake of the above, by Old Dominion "Lean on Me" (Cheat Codes song), 2021 "Lean on Me" (Kirk Franklin song), 1998
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Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau wrote: "Hearing Withers urge the audience on, as drummer James Gadson and pianist-arranger Ray Jackson drive their crack combo, really wipes out the man's MOR aura—nobody else in the music combines hard rhythms and warm sensuality so knowingly.
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