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Euterpe was born as one of the daughters of Mnemosyne, Titan goddess of memory, and fathered by Zeus, god of the gods.Her sisters include Calliope (muse of epic poetry), Clio (muse of history), Melpomene (muse of tragedy), Terpsichore (muse of dancing), Erato (muse of erotic poetry), Thalia (muse of comedy), Polyhymnia (muse of hymns), and Urania (muse of astronomy).
Euterpe is one of the 50 Spacer worlds in Isaac Asimov's Robot Series. It features a small moon called Gemstone. [6] In a cantata by Strozzi Barbara, the composer puts her songs around the muse. In the Brazilian musical teen TV series Vicky and the Muse, Euterpe is one of the main characters, being summoned to inspire a girl who wants to sing.
Double flutes can be divided into instruments that consist of a melody pipe matched with a drone pipe, and chord flutes in which the instruments can play the same melody at the same time in two different pitches. [1] Some forms of double flute include: some types of Native American flutes; the Bulgarian dvoyanka; the Indian and Pakistani Alghoza
Here again, Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Euterpe (song and elegiac poetry) carries a double-pipe, the aulos; Erato (lyric poetry) is often seen with a lyre and a crown of roses; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a ...
Syrinx or Pan flute; Syrinx (σύριγξ), also known as Pan flute, is an ancient musical instrument based on the principle of the stopped pipe, consisting of a series of such pipes of gradually increasing length, tuned (by cutting) to a desired scale. Sound is produced by blowing across the top of the open pipe (like blowing across a bottle top).
Drawing of the mouthpiece of an aulos. [5]There were several kinds of aulos, single or double.The most common variety was a reed instrument. [6] Archeological finds, surviving iconography and other evidence indicate that it was double-reeded, like the modern oboe, but with a larger mouthpiece, like the surviving Armenian duduk. [7]
At the far end, a set with two double doors recalls the stage wall of a theater; according to Guidi, a pantomime play is evoked, as the actors are not wearing masks: a seated woman points at a grotesque old man with a shaved head who is hiding something under his coat. Another man, bearded and wearing a toga, also points with his outstretched arm.
This is a list of 18th-century chaconnes.Included are all pieces of 18th-century music, or clearly marked off sections of pieces, labeled "chaconne" (or some variant of that word) by their composers, that have been found by contributors to this article among the works of musicians, musicologists, and music historians.
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