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The first, Geronimo Stilton in the Kingdom of Fantasy, was released in Europe on 3 November 2011. [21] The follow-up, Geronimo Stilton: Return to the Kingdom of Fantasy, was released in the continent on 31 October 2012. [22] In North America, both titles were released exclusively on the PlayStation Store on 16 July 2013. [23]
Geronimo is too busy to regulate all the details of his daily life, and does not take care of his house. Ben suggests that he hire a maid. Professor Cheesewheel, answers the advertisement. He proposes Geronimo should fully automate his house and procure a robot valet who will answer all his needs. Geronimo is not very convinced, but he agrees.
Geronimo Stilton is about the titular character, a mouse journalist and head of the Geronimo Stilton Media Group. He searches New Mouse City and places around the world for new scoops while having adventures along the way with his nephew Benjamin, cousin Trap, sister Thea and Benjamin's friend Pandora Woz.
As she cared for the sick children, Dami decided to write adventure stories that featured a mouse called Geronimo Stilton as the protagonist. These stories became a publishing sensation both in Italy and internationally. [4] For a while I worked as a volunteer in a hospital, and it was there, almost by chance, that I invented Geronimo Stilton …
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She is known for supporting roles on Hallmark Channel, and as a voice actress, most notably in Geronimo Stilton as Thea Stilton and as Lina in the Bratz films. Edmondson is a former member of NXIVM, a now-defunct sex cult and pyramid scheme founded by Keith Raniere. In 2017, she left the group and confirmed longstanding criticism that NXIVM ...
William (voiced by Sonja Ball) – A knight-in-training of the Questers. He wants to be a knight and has made many current inventions. He's Elspeth's younger brother. He is 11 years old, and, despite his young age, is very intelligent, the brain of the group, and a master inventor.
The series' opening and ending title sequences famously used Johann Sebastian Bach's Toccata and Fugue in D minor as the main theme music. Shortening the piece to only two minutes in length, the introduction uses the very beginning, which jumps into the start of the middle section and finally the dramatic ending to coincide with the destruction of Earth at the end of the intro. [2]
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