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The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. The arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form.
The opening bars of Jean Sibelius's Arabesque (Op.76, No.9). The most well-known are Claude Debussy's Deux Arabesques, composed in 1888 and 1891, respectively. Other composers who have written arabesques include: Claude Debussy: Two Arabesques (1891), L.66; Marin Marais: L'arabesque (1717), appears in the soundtrack of the film Tous les Matins ...
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's ...
Claude Debussy's Études are a set of 12 piano études composed in 1915. Debussy described them as "a warning to pianists not to take up the musical profession unless they have remarkable hands". [1] They are broadly considered his late masterpieces. [a] Étude 1 pour les cinq doigts d'après Monsieur Czerny (five fingers, "after Monsieur Czerny")
Images (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. [1] They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's Images pour orchestre. The first book was composed between 1901 and 1905, and the second book was composed in 1907. [2]
The study is a systematic review and meta-analysis of 113 published and unpublished randomized controlled trials that compared various types of interventions against placebos or other controls for ...
The title of the piece was inspired by "The Garden of Paradise", a fairy tale [1] by Hans Christian Andersen that was translated into French and published in 1907.[2]: 194 Debussy was known to have an affinity towards Andersen's stories, and it has been theorized that the author's character Zephyr – the West Wind – would have "appealed" to the composer when he was writing the prelude.
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