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March 2020 saw the UK enter into a nationwide lockdown in response to the coronavirus pandemic. [15] British theatre closures were announced on March 16. [16] Robert Myles, an actor and Shakespeare aficionado [17] who found himself out of work, created The Show Must Go Online in less than a week, [18] in response to the widespread cancellation of jobs and contracts faced by theatrical industry ...
As well as space travel, the films explore the relevance of Shakespeare’s words to us in 2023, the impact of the Covid-19 pandemic, Russia’s war in Ukraine, immigration and the refugee crisis ...
Currently the series is produced under the brand Free Shakespeare in the Park, and all productions are staged at the Delacorte. In past decades, the series was branded The New York Shakespeare Festival and encompassed productions at both the Delacorte and the Public's downtown location in the former Astor Library .
To compare Shakespeare and his well-educated contemporary Ben Jonson was a popular exercise at this time, a comparison that was invariably complimentary to Shakespeare. It functioned to highlight the special qualities of both writers, and it especially powered the assertion that natural genius trumps rules, that "there is always an appeal open ...
An Englishman named William Shakespeare became the first man to receive Pfizer’s COVID-19 vaccine outside clinical trials in the U.K. The BBC reports that Shakespeare, 81, said he was “pleased ...
A portrait of William Shakespeare and a copy of a speech from "A Midsummer Night's Dream" were sent to the edge of space as part of a short film series marking 400 years since the first volume of ...
Shakespeare's work is also lauded for its insight into emotion. His themes regarding the human condition make him more acclaimed than any of his contemporaries. Humanism and contact with popular thinking gave vitality to his language. Shakespeare's plays borrowed ideas from popular sources, folk traditions, street pamphlets, and sermons.
The Yorkist claim is put so clearly that Henry admits, aside, that his own is weak [24] —"the first time," notes Kelly, "that such an admission is conjectured in the historical treatment of the period". Shakespeare is suggestively silent in Part 3 on the Yorkist Earl of Cambridge's treachery in Henry V's reign.