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In the Jami' al-tawarikh, a Persian history from the 14th century, Muhammad is depicted beside al-Buraq, whose tail is transformed into an angel, while two other angels approach. [24] A 16th-century Ottoman manuscript of Siyer-i Nebi , a Turkish epic about the life of Muhammad, also includes many depictions of Muhammad alongside angels.
In the ninth thesis of his 1940 essay “Theses on the Philosophy of History”, Benjamin describes Angelus Novus as an image of the angel of history: A Klee painting named Angelus Novus shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are ...
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
The Fallen Angel (French: L'Ange déchu) is a painting by French artist Alexandre Cabanel. It was painted in 1847, when the artist was 24 years old, and depicts the Devil after his fall from Heaven. [ 1 ]
Statue of the angel of the Annunciation, c. 1430–1440, Metropolitan Museum of Art Schutzengel ("Guardian angel") by Bernhard Plockhorst depicts a guardian angel watching over two children. The Archangel Michael wears a Roman military cloak and cuirass in this 17th-century depiction by Guido Reni.
Angel (Madonna song) Angel of the Resurrection (Tiffany Studios stained glass window) Angel, Still Groping; The Angels' Kitchen; Angelus Novus; The Annunciation (Tanner) The Apotheosis of Homer (Ingres) Apparition of Christ to the Virgin; Apparition of the Virgin to St Bernard (Fra Bartolomeo) The Apparition of the Virgin to Saint Bernard (Murillo)
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Although the two angels form a pair, there is a great contrast between the two works, the one depicting a delicate child with flowing hair clothed in Gothic robes with deep folds, and Michelangelo's depicting a robust and muscular youth with eagle's wings, clad in a garment of Classical style. Everything about Michelangelo's Angel is dynamic. [103]
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