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Abdel-Wahed El-Wakil (Arabic: عبد الواحد الوكيل, born 7 August 1943) is an Egyptian architect who designed over 15 mosques in Saudi Arabia and is considered by many as the foremost contemporary authority in Islamic architecture. For designing in traditional styles, he is also a representative of New Classical Architecture.
A mashrabiya or mashrabiyya (Arabic: مشربية) is an architectural element which is characteristic of traditional architecture in the Islamic world and beyond. [1] [2] It is a type of projecting oriel window enclosed with carved wood latticework located on the upper floors of a building, sometimes enhanced with stained glass.
A hosh (Arabic: حوش, romanized: ḥūš), or hawsh, is a courtyard in some traditional residential complexes in the Arab world. [1] It represents the center of the housing structure. [ 1 ] [ 2 ]
The furjat (Arabic: فُرجات) or luhuj (Arabic: لُّهُوج) are small rectangular, triangular, square and arrow openings pierced in a wall to promote adequate air movement, lighting to the interior spaces, and the view from inside to outside. These small openings do not have a purely decorative function but are arranged vertically ...
The qa'a (Arabic: قاعة, romanized: qāʿa) is a roofed reception room found in the domestic architecture of affluent residences of the Islamic world. It is the most common hall type in the medieval Islamic domestic architecture. The plan of a qa'a may be inspired by the four-iwan plan (cruciform) of religious buildings. They were used to ...
The Arab American National Museum (AANM, Arabic: المتحف الوطني العربي الأمريكي) is a museum in Dearborn, Michigan, highlighting the history, experiences, and contributions of Arab Americans. [1] Established in 2005, it is the first, and largest, museum in the world devoted to Arab American history and culture. [2]
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When he returned to Baghdad in 1946, he was one of the first Iraqis to have obtained formal qualifications in architecture. [10] At that time, Iraq had no tradition of using architects; rather a continuous tradition of both domestic and public buildings relying on ancient building techniques was evident, but designers rarely attached their names to their designs.