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High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates.
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression.It was designed to be the successor of the MP3 format and generally achieves higher sound quality than MP3 at the same bit rate.
G.722 is an ITU standard codec that provides 7 kHz wideband audio at data rates from 48, 56 and 64 kbit/s. This is useful for voice over IP applications, such as on a local area network where network bandwidth is readily available, and offers a significant improvement in speech quality over older narrowband codecs such as G.711, without an excessive increase in implementation complexity.
Wideband audio, also known as wideband voice or HD voice, is high definition voice quality for telephony audio, contrasted with standard digital telephony "toll quality". It extends the frequency range of audio signals transmitted over telephone lines, resulting in higher quality speech.
Bit rate Represents the amount of information, or detail, that is stored per unit of time of a recording. Common examples of bit rates include MP3 which is recorded at 128–320 kbits/s, CD quality audio (LPCM) which is recorded at 1,411.2 kbit/s, SACD (DSD) which is recorded at 5,644.8 kbit/s, and DVD-Audio (MLP), which is recorded at 18,000 ...
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO/IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized for low- bitrate applications such as streaming audio .
A high quality signal is possible, but at the cost of a high bitrate (e.g., over 700 kbit/s for one channel of CD audio). In effect, many bits are wasted in encoding masked portions of the signal because PCM makes no assumptions about how the human ear hears. Coding techniques reduce bitrate by exploiting known characteristics of the auditory ...