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In the United States, the Motion Picture Production Code, or Hays Code, enforced after 1934, banned the exposure of the female navel in Hollywood films. [3] The National Legion of Decency, a Roman Catholic body guarding over American media content, also pressured Hollywood to keep clothing that exposed certain parts of the female body, such as bikinis and low-cut dresses, from being featured ...
Outlaw Women is a 1952 American Western film directed by Sam Newfield and Ron Ormond and starring Marie Windsor, Richard Rober and Carla Balenda. [2] It is set in a remote small town run entirely by women. [3] The film was made in Cinecolor and released by the low-budget specialist Lippert Pictures.
Women wore an apodesmos, [14] later stēthodesmē, [15] mastodesmos [16] and mastodeton, [17] all meaning "breast-band", a band of wool or linen that was wrapped across the breasts and tied or pinned at the back. [18] [19] Roman women wore breast-bands during sport, such as those shown on the Coronation of the Winner mosaic (also known as the ...
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Nakedness and colonialism is about the role of the unclothed bodies of Indigenous peoples in the history of contact with Western cultures and the emergence of concepts of race. In all human societies, bodily adornments of many kinds are part of nonverbal communications, indicating social status , wealth , and individuality .
Acid Western is a subgenre of the Western film that emerged in the 1960s and 1970s that combines the metaphorical ambitions of critically acclaimed Westerns, such as Shane and The Searchers, with the excesses of the Spaghetti Westerns and the outlook of the counterculture of the 1960s, as well as the increase in illicit drug taking of, for example, cannabis and LSD.
The women of the Six Triple Eight far exceeded expectations, completing their mission in 90 days despite being given twice that amount to get the job done. They then moved on to Rouen, France ...
In this period, post-Western precursors to the modern neo-Western films began to appear. This includes films such as Nicholas Ray's The Lusty Men (1952) and John Sturges's Bad Day at Black Rock (1955). [8]: 56 Examples of the modern "first phase" of neo-Westerns include films such as Lonely Are the Brave (1962) and Hud (1963).