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According to John Steiner, 1939 was an important year for the discovery of Burke's music, as well as for other relatively low key jazz musicians. This year marked the availability of cheap, portable recorders. Jazz enthusiasts would bring these devices to local jam sessions and record their favorite musicians. [14]
In New Orleans, Louisiana, Alphonse Picou adapted the piccolo part into a clarinet variation, [2] sometimes considered one of the earliest documented jazz solos. The Picou variations became standard in New Orleans jazz (unusual in a form that values improvisation); many traditional jazz clarinetists from the generation just after Picou until ...
The songbook contained the sheet music for 125 jazz breaks or improvisations for trombone with piano accompaniment in different keys. The Melrose Bros. Music Company was founded by Walter Melrose and Lester Melrose. Melrose Music also published Louis Armstrong's 125 Jazz Breaks for Cornet and Benny Goodman's 125 Jazz Breaks for the Saxophone ...
Prelude, Fugue and Riffs is a "written-out" jazz-in-concert-hall composition composed by Leonard Bernstein for a jazz ensemble featuring solo clarinet.. The title points to the union of classical music and jazz: Prelude (first movement) and Fugue (second movement) – both baroque forms – are followed immediately without a pause by a series of "riffs" (third movement), which is a jazz term ...
White was a collector of jazz artifacts and local history for 30 years. He owned the original sheet music of "Dead Man Blues" by Jelly Roll Morton, a clarinet mouthpiece by Sidney Bechet, and an estimated 5,000 records and LPs which were lost during the flooding. [9]
William Overton Smith (September 22, 1926 – February 29, 2020) [1] was an American clarinetist and composer.He worked extensively in modern classical music, third stream and jazz, and was perhaps best known for having played with pianist Dave Brubeck intermittently from the 1940s to the early 2000s.
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