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It is in 12 beats and feels like it starts on 12. The guajira is a prime example of so-called cantes de ida y vuelta. [2] [3] The flamenco guajira is the adaptation to Melos flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba. [3]
Ya no más, de tus hijos la sangre, se derrame en contienda de hermanos; sólo encuentre el acero en sus manos 𝄆 quien tu nombre sagrado insultó. 𝄇 Coro IV Del guerrero inmortal de Zempoala te defiende la espada terrible, y sostiene su brazo invencible tu sagrado pendón tricolor. Él será del feliz mexicano en la paz y en la guerra el ...
The Niño de las Suertes has a strong following due to its association with Santa Muerte. While the image was created in the 19th century, its popular veneration is a recent phenomenon. The image was found by two evangelists in the rubble of the Hacienda of San Juan de Dios in Tlalpan. It was handed over to Archbishop Francisco Lizana y Beaumont.
A reggaeton heartbreak song inspired by a night Villada spent in Madrid watching the moon through a window, the song has lyrics about a woman leaving a past relationship to go with a new person. Music critics praised the song for its collaboration and lyrical content, viewing it as an effort to expand American hip hop and Feid's international ...
Dios Nunca Muere" (English: God Never Dies) is a Mexican waltz written by composer and violinist Macedonio Alcalá in 1868. Is the de facto anthem of the state of Oaxaca. [1] " Dios Nunca Muere" has been sung by famous singers like Pedro Infante and Javier Solís. There are two versions of the creation of this waltz.
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Trova is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. [1]
In 1959, Juan de Dios decided to take the name 'Johnny Ventura'. He started his career as a singer in several bands that presented themselves at the dances in La Feria. He worked with the orchestra of Rondón Votau and in 1961 with the band of the Dominican percussionist Donald Wild.