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English: Palm leaf etching is a traditional form of art from Odisha. Palm leaves are dried, soaked in water, dried again and pressed to be made straight. A metallic (mostly Iron) stylus (called Lekhani in Odia) is used for writing on it. Natural colors (made from wood apple paste and charcoal) is applied on the written text or picture.
It has been widely translated in Indian languages as well as numerous non-Indian languages. Over 200 translations exist in the English language alone, with the first published in 1785 by Charles Wilkins. This is a photograph of a 2-D palm lead manuscript page produced in the 16th century and discovered in Kerala.
The palm leaf manuscript shows all signs of age-related decay. Further, the order of the pages are a bit jumbled as the text does not flow from one page to another, but is more meaningfully connected to a distant page inside the book. The manuscript has not been published yet (as of 2018).
Palm leaf pattachitra which is in Oriya language known as Tala Pattachitra drawn on palm leaf. First of all palm leaves are left for becoming hard after being taken from the tree. Then these are sewn together to form like a canvas. The images are traced by using black or white ink to fill grooves etched on rows of equal-sized panels of palm ...
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The above palm leaf manuscript pages are from Kerala, in Malayalam script, Sanskrit language. Such manuscripts were produced and preserved in Hindu temples. The image is a part of endangered manuscripts preservation programme supported by Arcadia, a digitization initiative by SAHA: Stirring Action on Heritage and the Arts, with archival support ...
The Borassus flabellifer leaves are used for thatching, mats, baskets, fans, hats, umbrellas, and as writing material. All the literature of the old Tamil was written in preserved palm leaves also known as Palm-leaf manuscript. In Tamil Yaedu or Olai chuvadi. Most of the ancient literature in Telugu are written on palm leaves (Tala patra grandhas).
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