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The AN6531 Comfort Cable aviator sunglasses frame kept being issued by the U.S. military as No. MIL-G-6250 glasses after World War II with different lenses as Type F-2 (arctic) and Type G-2 aviator sunglasses but fitted with darker lenses until their substitute the Type HGU-4/P aviator sunglasses became available in the late 1950s.
The prototype, created in 1936 and known as "Anti-Glare", had plastic frames and green lenses that could cut out the glare without obscuring vision. The name "Ray-Ban" was hence derived from the ability of these glasses to limit the ingress of either ultra-violet or infra-red rays of light. [7] Impact-resistant lenses were added in 1938. [8]
With its maximum aperture over its zoom range being F2.8-5.8, and with its sensor smaller than Canon APS-C sensor, the G1 X camera-lens system can be compared to the APS-C DSLRs using the Canon EF-S 18-55 mm f/3.5-5.6 IS II SLR Kit Lens: the G1 X is a little faster (wider aperture) at the wide angle and comparable thereafter, but with a longer ...
The world's thinnest 0.3 mm ultra-thin aspheric glass lens is mounted, achieving the thinnest in Lumix history (DMC-FX 60)DMC-GF 1 Flash built-in lens interchangeable digital camera realizes world's smallest and lightest(DMC-GF1) 2010 "Venus Engine VI" installed (DMC-FX66) "Venus Engine HD II" installed (DMC-ZX3, DMC-TZ10, DMC-FT2)
The Micro Four Thirds system (MFT) of still and video cameras and lenses was released by Olympus and Panasonic in 2008; lenses built for MFT use a flange focal distance of 19.25 mm, covering an image sensor with dimensions 17.3 × 13.0 mm (21.6 mm diagonal).
Sony released the following SEL (for: Sony E-mount Lens) lenses for Sony E-mount cameras since 2010. They are also compatible with Hasselblad E-mount cameras. Some of the lenses introduced into the line have been developed in cooperation with Carl Zeiss (as indicated).
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CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.