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The Spook Who Sat by the Door (1969), by Sam Greenlee, is the fictional story of Dan Freeman, the first black CIA officer, and of the CIA's history of training persons and political groups who later used their specialised training in gathering intelligence, political subversion, and guerrilla warfare against the CIA.
The Freedom Fighters of Chicago begin spreading the word about their guerrilla warfare tactics across the United States; as Freeman says, "What we got now is a colony, what we want is a new nation." As revolt and a war of liberation continues in inner-city Chicago, the National Guard and the police desperately try to stop the "freedom fighters".
Guerrilla warfare during the Peninsular War, by Roque Gameiro, depicting a Portuguese guerrilla ambush against French forces. Guerrilla warfare is a form of unconventional warfare in which small groups of irregular military, such as rebels, partisans, paramilitary personnel or armed civilians, including recruited children, use ambushes, sabotage, terrorism, raids, petty warfare or hit-and-run ...
Hybrid warfare - Employs political warfare and blends conventional warfare, irregular warfare, and cyberwarfare with other influencing methods, such as fake news, diplomacy, lawfare and foreign electoral intervention. Incentive – A strategy that uses incentives to gain cooperation; Indirect approach – Dislocation is the aim of strategy ...
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Polish resistance movement in World War II (many of these groups were a part of the Polish Underground State, the large guerrilla movement that initiated the Warsaw Uprising, as well as some other anti-Nazi partisan-warfare-based actions like the Zamość Uprising, the Battle of Osuchy, the Raid on Mittenheide, Operation Tempest, or Operation ...
This is a Category for guerrilla wars - i.e. ones that were characterised by small scale, hit and run warfare rather than conventional warfare, which is characterised by the holding of territory and pitched battles. There may be some overlap, as some wars may have started as guerrilla wars and finished as conventional wars.
Marcos also used Maharlika as his personal nom de guerre, depicting himself as the most bemedalled anti-Japanese Filipino guerrilla soldier during World War II. In the years before the martial law period in the Philippines, Marcos commissioned a film entitled Maharlika to be based on his "war exploits".