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Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] The Aztecs were Nahuatl -speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures.
Piltzintēuctli, god of the visions. In Aztec mythology, he is associated with Mercury (the planet that is visible just before sunrise or just after sunset) and healing. Citlalatonac, god of female stars in the Milky Way. Mixcōātl, god of hunting and old god of hurricanes and storms. Mixcoatl is associated with the Milky Way.
Mictlantecuhtli (left), god of death, and Quetzalcoatl, god of life; together they symbolize life and death.. The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. [1]
In his new position of power, he refuses to go into motion until the gods make sacrifice to him. In an elaborate ceremony, Quetzalcoatl cuts the hearts out of each of the gods and offers it to Tonatiuh (and the moon Meztli). All of this occurs in the ancient and sacred, pre-Aztec city of Teotihuacan. It is predicted that eventually, like the ...
The Aztec Kings: The Construction of Rulership in Mexica History. Tucson: University of Arizona Press. ISBN 0-8165-1095-4. OCLC 60131674. Harvey, Doug (2012). "How a Feathered God Presided Over a Golden Age of Mexican Art". Humanities: The Magazine of the National Endowment of the Humanities. Vol. 33, no. 5. pp. 34–39.
Many gods in the pantheon of deities of the Aztecs were inclined to have a fondness for a particular aspect of warfare. However, Huitzilopochtli was known as the primary god of war in ancient Mexico. [30] Since he was the patron god of the Mexica, he was credited with both the victories and defeats that the Mexica people had on the battlefield.
The frontispiece of the Codex Fejéváry-Mayer, one of the more well-known images from Aztec codices, features a god circumscribed in the 20 trecena, or day symbols, of the Tōnalpōhualli. The exact identity of this god is unclear, but is most likely either Tezcatlipoca or Xiuhtecutli. The figure has yellow and black face paint, as is ...
He was seen as the source of souls for those born on the sixth day of the 13-day week and was the fifth of the nine Night Gods of the Aztecs. He was also the secondary Week God for the 10th week of the 20-week cycle of the calendar, joining the sun god Tonatiuh to symbolise the dichotomy of light and darkness. [citation needed]