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Death Defying Acts earned $2,839,345 at the Spanish box office, $800,505 in South Korea, $713,741 [4] in Australia and $608,455 in Mexico. [5] Globally, the film took $6,415,141. [5] It was on a very limited release in larger markets, such as the United Kingdom, Canada, and the United States, resulting in low box-office takings.
Guy Pearce is opening up about the one film he says should have received more recognition — and why he believes it flopped. Produced by Myriad Pictures and distributed by The Weinstein Company ...
Death Defying Acts (C Skubiszewski) Best Soundtrack Album: Won [26] Carla Cametti PD (C Skubiszewski, J Skubiszewski) Best Television Theme: Nominated [27] 2010: Beneath Hill 60 (C Skubiszewski) Best Feature Film Score: Nominated [28] 2013: The Mystery of a Hansom Cab (C Skubiszewski) Best Music for a Mini-Series or Telemovie: Won [29] 2014 ...
One-act play Opened as part of the off-Broadway three-play compilation Death Defying Acts (other two plays written by Elaine May and David Mamet) First published in 2003 as part of Allen's collection Three One-Act Plays: 2003 Riverside Drive: One-act play Opened on 15 May 2003 as part of the off-Broadway two-play compilation Writer's Block
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The act Deadly Games left viewers' pulses racing on America's Got Talent: The Champions. The act featured a leather-clad weapons expert throwing knives and shooting crossbows at objects around his ...
Removed from Armstrong's usual subject matter, Death Defying Acts portrays a moment in the life of 1920s escape artist Harry Houdini in the style of a supernatural, romantic thriller. It received a modest earning at the box office, and was part of a special screening at the 2007 Toronto International Film Festival [2]
Death Defying Acts (Producer) three one-act plays by Woody Allen, Elaine May and David Mamet, starring Linda Lavin, directed by Michael Blakemore; Vita and Virginia (Producer) starring Vanessa Redgrave and Eileen Atkins; Tennessee Williams Remembered (Producer) starring Eli Wallach and Anne Jackson, directed by Gene Saks