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"A&E" is a song by English electronic music duo Goldfrapp from their fourth studio album, Seventh Tree (2008). The song was written and produced by Alison Goldfrapp and Will Gregory, with co-production handled by Flood. It was released as the album's lead single on 11 February 2008. [4]
"Ooh La La" is a song by English electronic music duo Goldfrapp from their third studio album, Supernature (2005). Written and produced by Alison Goldfrapp and Will Gregory, the song consists largely of a synthesiser and guitar arrangement, and has been described as "a dirty, decadent homage to Marc Bolan".
Goldfrapp's début album Felt Mountain was released in September 2000 and produced the singles "Lovely Head", "Utopia", "Pilots (On a Star)" and "Human".It featured Alison Goldfrapp's vocals over cinematic soundscapes and is influenced by a variety of music styles including cabaret, folk and electronic music.
The original title of the song was "Wolf Lady", which makes reference to the lyrics in the second verse of the song. [4] The lyrics of "Train" are based on Alison Goldfrapp's observations while in Los Angeles, California. She stated that the song describes wealth, drugs, and sex with "a sort of disgust of it and at the same time a sort of need ...
Goldfrapp began work on "Lovely Head" in September 1999 in a rented bungalow in the Wiltshire countryside. [5] Alison Goldfrapp contributed the song's lyrics, and William Gregory and Goldfrapp composed the music together. [6] The duo recorded the song outside their bungalow, drawing inspiration from nature. [7]
"Strict Machine" is an electronic dance song written by British electronic music duo Goldfrapp and Nick Batt for Goldfrapp's second studio album, Black Cherry (2003). It was produced by Goldfrapp and describes laboratory rats in neuroscience experiments. [ 3 ]
"Number 1" is a song by English electronic music duo Goldfrapp from their third studio album, Supernature (2005). Written and produced by Alison Goldfrapp and Will Gregory, the song features a synthesiser and bass guitar arrangement and was written about the importance and meaningfulness that somebody shares with another, despite that it might not necessarily last.
Both Goldfrapp and Gregory acknowledged the return to using synths in their music, with the former claiming that it created a "tougher sound" to the track overall. [8] Categorizing the genre of the song as synth-rock, Alexa Camp from Slant Magazine claimed that she could picture Shirley Manson singing the lyrics to "Ocean". [9]