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"There Is a Redeemer" is a praise and worship song first written by Melody Green in 1977 and popularized by her husband, contemporary Christian musician Keith Green. It was first released on 1982's Songs for the Shepherd, the last album to be released before his death in a plane crash. The final verse was added by Keith. [1]
Songs for the Shepherd is the fifth album released by American contemporary Christian music pianist and ... "There Is a Redeemer" (Melody Green) – 3:09 "The ...
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Keith Gordon Green (October 21, 1953 – July 28, 1982) was an American pianist, singer, songwriter and contemporary Christian music recording artist. Originally from Sheepshead Bay, Brooklyn, New York, Green is known as a pioneer in the Christian and Jesus Music genre. [1]
The later hymn "Veni Creator Spiritus" borrows two lines from the hymn (Infirma nostri corporis — Virtute firmans perpeti). "Veni redemptor gentium" was particularly popular in Germany where Martin Luther translated it into German as "Nun komm, der Heiden Heiland," which then he, or possibly Johann Walter, set as a chorale, based on the original plainchant. [3]
"Alma Redemptoris Mater" (Ecclesiastical Latin: [ˈalma redempˈtoris ˈmater]; "Loving Mother of our Redeemer") is a Marian hymn, written in Latin hexameter, and one of four seasonal liturgical Marian antiphons sung at the end of the office of Compline (the other three being Ave Regina Caelorum, Regina Caeli and Salve Regina).
To Thee, Redeemer, King! To Whom the lips of children Made sweet Hosannas ring, Thou art the King of Israel Thou David's Royal Son, Who in the LORD'S name comest, The King and Blessèd One. All glory, &c. The company of Angels Is praising Thee on high, And mortal men, and all things Created make reply.
The song, in eight stanzas of four lines each, expresses first the request for the coming of a redeemer of all people, including the heathens or gentiles, born of a virgin. It reflects his origin from the Father, to whom he will return after going to Hell. The last stanza is a doxology, translating a medieval appendix to Ambrose's hymn. [13]