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  2. Relative pitch - Wikipedia

    en.wikipedia.org/wiki/Relative_pitch

    Unlike absolute pitch (sometimes called "perfect pitch"), relative pitch is quite common among musicians, especially musicians who are used to playing "by ear", and a precise relative pitch is a constant characteristic among good musicians. Unlike perfect pitch, relative pitch can be developed through ear training. [2]

  3. Ear training - Wikipedia

    en.wikipedia.org/wiki/Ear_training

    As a process, ear training is in essence the inverse of reading music, which is the ability to decipher a musical piece by reading musical notation. Ear training is typically a component of formal musical training and is a fundamental, essential skill required in music schools and the mastery of music.

  4. Interval recognition - Wikipedia

    en.wikipedia.org/wiki/Interval_recognition

    Interval recognition, the ability to name and reproduce musical intervals, is an important part of ear training, music transcription, musical intonation and sight-reading. Reference songs [ edit ]

  5. 10 Musical Geniuses Who Couldn't Read a Note of Music - AOL

    www.aol.com/lifestyle/10-musical-geniuses-could...

    2. Eddie Van Halen. The guitar virtuoso of Van Halen fame couldn’t read music, which is kind of crazy considering all the classical runs and flourishes that turn up regularly in his playing.

  6. Play by ear - Wikipedia

    en.wikipedia.org/wiki/Play_by_ear

    Play by ear may refer to: Improvisation , the act of inventing all or part of a process as it is performed. Learning music by ear , learning how to play a musical piece purely by listening to a rendition of the piece alone, without the aid of printed material

  7. Neuroscience of music - Wikipedia

    en.wikipedia.org/wiki/Neuroscience_of_music

    The neuroscience of music is the scientific study of brain-based mechanisms involved in the cognitive processes underlying music.These behaviours include music listening, performing, composing, reading, writing, and ancillary activities.

  8. Music-learning theory - Wikipedia

    en.wikipedia.org/wiki/Music-learning_theory

    [19] [20] [21] Modern studies by Luce (1965), McPherson (1993, 1995, 2005), and Bernhard (2004) all suggest a significant positive correlation with playing by ear and the ability to sight read, [22] and experimental research by Haston (2004) and Musco (2006) also suggest that spending classroom time playing by ear does not negatively impact ...

  9. Session musician - Wikipedia

    en.wikipedia.org/wiki/Session_musician

    In many traditional and folk music styles, performers are expected to be able to play by ear. Session musicians need a nuanced sense of the playing styles and idioms used in different genres. For example, a sax player who mainly plays jazz needs to know the R&B style if they are asked to improvise a solo in an R&B song.