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Bohuslav Martinů's Double Concerto for Two String Orchestras, Piano, and Timpani (H. 271) was written in Switzerland in 1938 during deteriorating diplomatic relationships throughout Europe. Commissioned by Paul Sacher for the Basel Chamber Orchestra, it reflects intense impressions, from both the composer's personal life and the political ...
A cadenza, for both timpani, opens the final movement. Occasionally it is set aside as a separate section of the concerto, but on most recordings, it is featured as part of the third movement. During the cadenza, both timpani engage in exchanges, whose character range from almost inaudible to deafeningly loud.
In 1991 rondeau was part of the soundtrack for the video game Civilization as the 'English theme'. In 2008, the first four episodes of Boing Boing Video ' s SPAMasterpiece Theater opened with a chiptune remix of Jean-Joseph Mouret's "Rondeau: Fanfare" by Hamhocks Buttermilk Johnson as a parody of Masterpiece Theatre .
Concerto for Timpani and Orchestra is a timpani concerto by Marcus Paus, written for the 250th anniversary of Bergen Philharmonic Orchestra.It was first performed by Bergen Philharmonic Orchestra conducted by Andrew Litton on 19 February 2015 with Håkon Kartveit (principal timpanist of Bergen Philharmonic) as Soloist.
The version for strings and timpani was first performed in a broadcast on 1 January 1939 by the Radio Orchestra conducted by the composer, as the only recorded example of the composer interpreting one of his own works. [3] He maintained a slow tempo professionally, with "unforced rubato", [3] creating a solemn
Timpani: Pitched 211.11-922 Membranophone Also called kettle drums Tingsha: Tibet Unpitched 111.142 Idiophone Tom-tom drum: Pitched 211.211.1 Membranophone Tombak: Iran Unpitched 211.261.1 Membranophone Persian, also known as tombak, donbak and dombak, and as Tombakh Naar in Kashmir Triangle: Cajuns Unpitched 111 Idiophone Triccaballacca: Italy ...
A timpani concerto is piece of music written for timpani with orchestral or band accompaniment. It is usually in three parts or movements . The first timpani concertos were written in the Baroque and Classical periods of music.
The song opens and ends with the heavy sounds of a timpani being struck, which reduces in intensity during other sections. [13] Lambert says that the timpani is evocative of "a throbbing, aching heart" and is "soon joined by other instruments and a brief statement of an inverted arch figure in the flute" which recurs later in the piece. [2]