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Antonio del Pollaiuolo (UK: / ˌ p ɒ l aɪ ˈ w oʊ l oʊ / POL-eye-WOH-loh, [1] US: / ˌ p oʊ l-/ POHL-, [2] Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all ...
The profile is forcefully separated from the background, with a clear, expressive line (called the "primacy" of the design) that is a typical characteristic of Florentine art in the second half of the 15th century, and in particular the Pollaiuolo brothers. Overall, the portrait is a symbol of Florentine elegance in the 15th century.
Portrait of a Woman is a c.1475 tempera and oil on panel painting by Antonio or Piero del Pollaiuolo. It has been in the Uffizi in Florence since 1861. [1] Since 1861 it has been misattributed to Piero della Francesca, a young Leonardo da Vinci and Cosimo Rosselli. [2]
Terracotta plaque also by Pollaiuolo. Like most 15th-century prints, the Battle is rare. The unique first-state impression in the print room of the Cleveland Museum of Art is generally accepted as much the finest, [14] [page needed] and about forty-nine impressions (single examples) survive of the second state, [15] which is actually a high number for a 15th-century print.
Profile Portrait of a Young Lady is a 1465 half-length portrait, made with oil-based paint and tempera on a poplar panel, usually attributed to Antonio del Pollaiuolo, [1] although the owning museum, the Gemäldegalerie in Berlin, now describes this work as by his brother Piero del Pollaiuolo, and as one of its most famous paintings, and as one of the most famous portraits of women from the ...
Hercules and Deianira (c. 1470) by Antonio del Pollaiuolo Hercules and Deianira is an oil painting by Antonio del Pollaiuolo , executed c. 1470, originally on panel but later transferred to canvas. It measures 54.6 cm (21.4 in) by 79.2 cm (31.1 in), slightly larger than his other surviving mythological paintings, but still fairly small.
The painting is considered Antonio's masterpiece, with a more rigid geometric control on the composition than in his previous works, without giving up his usual naturalness of poses and movement – the four archers in the foreground form two symmetrical poses, with the two central ones reloading and the two on the edges firing, in perfect equilibrium either side of the central post to which ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
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