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Apollo and Daphne (c. 1470–1480). Apollo and Daphne is a c.1470–1480 oil on panel painting, attributed to Piero del Pollaiuolo and/or his brother Antonio).William Coningham acquired it in Rome in 1845 and in 1876 Wynne Ellis left it to the National Gallery, London, where it still hangs. [1]
English: The nymph Daphne prayed for rescue when she was pursued by the god Apollo. When he touched her, she was turned into a laurel. This is a story from Ovid's 'Metamorphoses', Such pagan fables were popular subjects to decorate furniture in Florence.The landscape, like that in the altarpiece of the 'Martyrdom of Saint Sebastian', is based on the Arno valley near Florence, and is likely to ...
Apollo and Daphne is an Ancient Greek transformation or metamorphosis myth. ... Apollo and Daphne attributed to Piero del Pollaiuolo.
Apollo and Daphne (c. 1470–1480), one of the works now given to Piero by its owner, the National Gallery. Giorgio Vasari, who wrote several decades after both brothers were dead, includes a joint biography of Antonio and Piero del Pollaiuolo in his Lives of the Most Excellent Painters, Sculptors, and Architects.
Apollo and Daphne (Pollaiuolo) C. Cardinal of Portugal's Altarpiece; Charity (Pollaiuolo) Coronation of the Virgin (Pollaiuolo) F. Faith (Pollaiuolo) H. Hope ...
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Antonio del Pollaiuolo (UK: / ˌ p ɒ l aɪ ˈ w oʊ l oʊ / POL-eye-WOH-loh, [1] US: / ˌ p oʊ l-/ POHL-, [2] Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all ...
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