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La Sonora Dinamita is a Colombian [1] and Mexican [2] [3] [4] musical group that plays cumbia, a Tropical music genre from Colombia but popular throughout Latin America. As one of the first cumbia groups to reach international success, it is credited with helping to popularize the genre throughout Latin America and the world.
Many artists had covered the song include Carlos Vives, Grupo Niche, Ray Conniff, Gran Pachanga, Los Joao, La Sonora Dinamita, Julio Iglesias, Tulio Zuloaga, and Alfredo Gutiérrez. The title of the song alludes metaphorically to the weather phenomenon, in which a cold front clashes with warm air, producing heavy storms and torrential rains ...
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Performing at the Feria de de las Culturas Amigas in 2013. Sonora Santanera is an orchestra playing tropical music from Mexico with over 60 years of history. Modeled after an earlier Cuban band called Sonora Matancera, the Sonora Santanera was founded in 1955 by Carlos Colorado in the state of Tabasco, and went on to find enormous success during the 1960s.
Que bellas son las flores: Francisco de Paula Aguirre: 6. Sombra En Los Médanos: Rafael Sánchez López 7. Quejas del alma: Dr. Delgado Briceño 8. Flor de Loto: Francisco J. Marciales 9. Pluma y Lira: Telésforo Jaimes 10. Brisas del Zulia: Amable Espina 11. Morir es Nacer: Rafael Andrade 12. Vals Venezolano: Antonio Lauro: 13. El Campo Esta ...
The Los Angeles Chargers are getting one of their big playmakers back in Week 17.. Los Angeles announced Friday afternoon that it activated running back J.K. Dobbins off injured reserve. He is set ...
Social media star Lexi Hensler got engaged to Justice Shepard on Dec. 2 at Leolani Cove in Kauai, Hawaii. Although Shepard tried to be sneaky with his romantic beach proposal, Hensler detailed how ...
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.