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The caryatid taken by Elgin from the Erechtheion, standing in contrapposto, displayed at the British Museum A caryatid ( / ˌ k ɛər i ˈ æ t ɪ d , ˌ k ær -/ KAIR -ee- AT -id, KARR - ; [ 1 ] Ancient Greek : Καρυᾶτις , romanized : Karuâtis ; pl. Καρυάτιδες , Karuátides ) [ 2 ] is a sculpted female figure serving as an ...
Caryatids of the Erechtheion in Athens, possible models for those of Diogenes for the Pantheon in Rome. Diogenes of Athens (Ancient Greek: Διογένης ὁ Ἀθηναῖος; Latin: Diogenes Atheniensis) was a sculptor who worked at Rome during the reign of Augustus.
The Erechtheion [2] (/ ɪ ˈ r ɛ k θ i ə n /, latinized as Erechtheum / ɪ ˈ r ɛ k θ i ə m, ˌ ɛ r ɪ k ˈ θ iː ə m /; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias [3] is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess ...
This area's sculptural program is the most complete including copies of famous sculptures including the caryatids of the Erechtheion, a statue depicting the Egyptian dwarf and fertility god Bes, and a crocodile. [2] [7] Throughout the canopus, there are many different types of marble seen.
The Caryatid from the Erechtheion, dating from about 421-406BC, was one of six almost identical figures of women that took the place of columns on the south porch of the building. Author: Mujtaba Chohan E-mail: m.chohan@gmail.com Source: British Museum Visit
Caryatids, draped female figures used as supporting members to carry the entablature, were a feature of the Ionic order, occurring at several buildings including the Siphnian Treasury at Delphi in 525 BC and at the Erechtheion, about 410 BC. [43]
The caryatid is the female precursor of this architectural form in Greece, a woman standing in the place of each column or pillar. Caryatids are found at the treasuries at Delphi and the Erechtheion on the Acropolis at Athens for Athene.
Along with the Panathenaic frieze, one of the six caryatids of the Erechtheion was extracted and replaced with a plaster mold. All in all, fifty pieces of sculpture were carried away, including three fragments purchased by the French. [28] Edward Dodwell: The Bazar of Athens, 1821