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Dinner theater (sometimes called "dinner and a show") is a form of entertainment that combines a restaurant meal with a staged play or musical. Sometimes the play is incidental entertainment, secondary to the meal, in the style of a sophisticated night club or the play may be a major production with dinner less important and in some cases it is ...
Carnival Eats is a Canadian television series that investigates a range of food vendors at carnivals, state fairs, and festivals across Canada and the United States. Hosted by Noah Cappe , the show features a variety of unique culinary creations found at these events.
The Night version of "Girls on Film" is actually slightly different from the version that appeared on the EMI twelve-inch single, clocking in at just around 15 seconds longer. Also, the David Kershenbaum Night version mix of "Rio" was commercially exclusive to this EP (it also featured on an American promo twelve-inch), as the "Rio" twelve-inch ...
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J'ouvert (/ dʒ uː ˈ v eɪ / joo-VAY) (also Jour ouvert, Jouvay, or Jouvé) [1] [2] [3] is a traditional Carnival celebration in many countries throughout the Caribbean. The parade is believed to have its foundation in Trinidad & Tobago, with roots steeped in French Afro-Creole traditions such as Canboulay.
Carnival is a musical, originally produced by David Merrick on Broadway in 1961, with the book by Michael Stewart and music and lyrics by Bob Merrill.The musical is based on the 1953 film Lili, which again was based on the short story and treatment titled "The Seven Souls of Clement O'Reilly" by Paul Gallico.
From its inauguration in 1870, the Twelfth Night Revelers introduced the Twelfth Night Cake or King Cake cut by the leader, the Lord of Misrule. Also that year the Grand March, the first of the new wrinkles planned by the new krewe (and copied by almost all krewes that followed). [3]
A Thurber Carnival is a revue by James Thurber, adapted by the author from his stories, cartoons and casuals [1] (humorous short pieces), nearly all of which originally appeared in The New Yorker. It was directed by Burgess Meredith with James Starbuck serving as associate director.