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A valve amplifier or tube amplifier is a type of electronic amplifier that uses vacuum tubes to increase the amplitude or power of a signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers in the 1960s and 1970s.
The basic gain stage for a valve amplifier is the auto-biased common cathode stage, in which an anode resistor, the valve, and a cathode resistor form a potential divider across the supply rails. The resistance of the valve varies as a function of the voltage on the grid, relative to the voltage on the cathode.
Electric guitar amplifier manufacturer Marshall have reissued some of their older models, using this type of construction as a design feature, although their standard products have long used PCBs. Thermionic valve equipment usually does not have the valves mounted on the PCB in order to avoid heat damage, but instead use PCBs for the wiring ...
A valve audio amplifier or vacuum tube audio amplifier is a valve amplifier used for sound reinforcement, sound recording and reproduction. Until the invention of solid state devices such as the transistor , all electronic amplification was produced by valve (tube) amplifiers.
The Williamson amplifier is a four-stage, push-pull, Class A triode-output valve audio power amplifier designed by D. T. N. Williamson during World War II. The original circuit, published in 1947 and addressed to the worldwide do it yourself community, set the standard of high fidelity sound reproduction and served as a benchmark or reference ...
LEAK TL/12 Point One Amplifier. The first commercially produced amplifier with distortion of 0.1% was the LEAK Type 15 "Point One" of 1945, using KT66 vacuum tubes (valves) connected as triodes, with 26 dB feedback over 4 stages including the output transformer. In 1948 LEAK produced the TL/12 which was also rated at 0.1% but featured improved ...
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The Roland Micro Cube, left, a small and portable digital modeling amplifier. Digital amp modelers Standalone modeling devices such as the Line 6 POD and Fractal Axe-FX digitize the input signal and use a DSP, a dedicated microprocessor, to process the signal with digital computation, attempting to achieve the sound of expensive professional amplifiers in a much less costly and more compact ...
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