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In 2000, the Directors Guild of America called the NC-17 rating an "abject failure", for causing filmmakers to re-edit films to receive an R rating, rather than accept an NC-17 rating. They argued that this was "not only compromising filmmakers' visions, but also greatly increasing the likelihood that adult-oriented movies are seen by the very ...
The Freiwillige Selbstkontrolle der Filmwirtschaft (Voluntary Self-Regulation of the Film Industry, FSK) has a film ratings system under which films are classified. All the ratings contain the phrase "gemäß §14 JuSchG" (in accordance with §14 of the Youth Protection Law), signifying that they are legally binding for minors. Cinemas may ...
The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are positive, the film has a 100% rating. Listed below are films with 100% ratings that have a critics' consensus or have been reviewed by at least twenty film critics. Many of these films, particularly ...
NCOMP reassigned ratings to old films based on its new system, making it impossible to determine from their own database whether a film it now classifies O was originally B or C. [1] In 1980, NCOMP ceased operations, along with the biweekly Review, which by then had published ratings for 16,251 feature films.
The MPA was founded as the Motion Picture Producers and Distributors of America (MPPDA) in 1922 as a trade association of member motion picture companies. At its founding, MPPDA member companies produced approximately 70 to 80 percent of the films made in the United States. [4]
The following is a list of R-rated animated films that have surpassed $1 million at the box office; TV-MA-rated, the television equivalent of the Motion Picture Association R-rating, is also included on the list. 2016 is the most frequent year with two films, and over two-thirds were released after the year 2000.
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Metacritic turns each review into a percentage score. This can be done either by calculating the score from the rating given or by making a subjective decision based on the review's quality. Before averaging the scores, they are adjusted based on the critic's popularity, reputation, and the number of reviews they have written.
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