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In 2009 Dogwoof distributed the documentary The Age of Stupid, [3] The End of the Line, Burma VJ, We Live in Public and Afghan Star. In 2010 Dogwoof announced a deal with technology company Cisco to build social media websites using the Cisco Eos platform for each film release. Dogwoof was the first European customer for Cisco Eos. [4]
China-based international sales agent Rediance has acquired world sales rights to “The Falling Sky,” a feature documentary which will premiere next month at Cannes in the Directors Fortnight ...
Dubai-based sales agent Cercamon is launching a dedicated documentary feature label and will unveil its first slate of titles at this year’s European Film Market, including Constantin Wulff’s ...
The global appetite for drama films has significantly diminished, according to a panel of international sales agents at the BFI London Film Festival. Sophie Green, head of acquisitions and ...
A number of programs are provided during the Marché du Film for the benefit of producers, directors, festival programmers, sales agents, and other film industry professionals: [9] Cannes XR. Cannes XR is a program dedicated to immersive technologies and entertainment. [22] [5] Cannes Docs. Cannes Docs is dedicated to documentaries.
At the time of the documentary's initial release, the film critic for New York Times, Vincent Canby, praised both its content and structure in his April 18, 1969 review: "Salesman", which opened yesterday at the 68th Street Playhouse, is a documentary feature about four door-to-door Bible salesmen who move horizontally through the capitalistic ...
XYZ Films will represent documentary “London Recruits” for North American sales, it was revealed at the ongoing Durban FilmMart. Directed by Gordon Main, the film sheds light on a pivotal ...
It also highlights a number of sales presentations devised by Spurlock to entice various brands into sponsoring the film. The ultimate goal was for the documentary to be entirely paid for or otherwise furnished by sponsors. It is thus a non-fiction form of metacinema in which his documented efforts of financing the film became the film itself.
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