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This book decentralizes Shakespeare from his normally central position in the literary tradition. Instead the book traces the ubiquity and influence of Shakespeare's text on our culture in post-modern England and America, as well as Shakespeare's textual effect on some influential minds of the twentieth century.
The Dark Lady is shocked by Shakespeare's frankness, but the queen forgives him. Shakespeare complains that his worst plays, As You Like It and Much Ado About Nothing, are the most popular, but is most proud of the ones with intelligent female characters, such All's Well that End's Well. If the queen would establish a National Theatre, he could ...
Other versions of the material, such as John Lydgate's "Troy Book" and Caxton's "Recuyel of the History of Troy", were at the time of Shakespeare in England in circulation and probably known to him. [16] [17] The story was a popular one for dramatists in the early 17th century and Shakespeare may have been inspired by contemporary plays.
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Shakespeare was not part of the production, though he had played in Every Man in His Humour the year before. Every Man Out of His Humour includes several references to Shakespeare and his contemporaneous works: a mention of Justice Silence from Henry IV, Part 2 —"this is a kinsman to Justice Silence" (V,ii) and two allusions to Julius Caesar ...
Samuel Johnson was impressed by this work, and suggested that Steevens should prepare a complete edition of Shakespeare. The result, known as Johnson's and Steevens's edition, was The Plays of Shakespeare with the Corrections and Illustrations of Various Commentators (10 vols., 1773), Johnson's contributions to which were very slight.
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The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1592.The play begins with a framing device, often referred to as the induction, [a] in which a mischievous nobleman tricks a drunken tinker named Christopher Sly into believing he is actually a nobleman himself.