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The Gibson ES-335 is a semi-hollow body semi-acoustic guitar introduced by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958.It has a solid maple wood block running through the center of its body with hollow upper bouts and two violin-style f-holes cut into the top over the hollow chambers. [1]
ES-340TD (1968–1973) ES-335 with a master volume/mixer and phase switch [6] ES-345 (1958–1981) ES-335 construction, but with parallelogram inlays, Varitone, and stereo outputs. ES-347 (1978– c. 1990s ) Alternate ES-345 with a coil-tap switch instead of Varitone
Some specific examples of Gibson-era Epiphone instruments from this period includes the Epiphone Sheraton (co-developed with the Gibson ES-335 & sharing its semi-hollow body, but with, Epiphone's pre-Gibson "Frequensator" tailpiece and "New York" mini-humbucker pickups, and significantly fancier inlays) and Sheraton II (replacing the ...
Bigsby was inspired to create a new vibrato system after being tasked by Merle Travis to repair the Kauffman Vibrola on his Gibson L-10. [2] The Bigsby system would debut in 1951, [2] with the first example going to Travis. [3] By the mid-1950s, Bigsby had ceased production of his own guitars and began only producing a range of vibrato ...
Vibrola tailpieces include a licensed version of the Bigsby vibrato tailpiece, earlier version of Maestro Vibrola (or Epiphone Tremotone [26] [27]) using roller bridge (U.S. patent 3,124,991 filed in 1961, issued in 1964), [25] and several in-house Gibson designs. The Gibson designs did not have the impact of the Bigsby and Fender designs, and ...
Roy Orbison used an ES-335 and a Les Paul with a Bigsby tailpiece. Dolores O'Riordan used an ES-335 throughout her entire career and later, also used a white SG Standard. [113] [114] Buzz Osborne primarily used Gibson Les Paul guitars from the 1960s and 1970s played through Boss effect pedals and variety of vintage amplifiers and cabinets. [115]
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