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Henry Ossawa Tanner, The Banjo Lesson, 1893, Hampton University Museum. Gift to museum by Robert C. Ogden. [1] The Banjo Lesson is an 1893 oil painting by African-American artist Henry Ossawa Tanner. It depicts two African-Americans in a humble domestic setting: an old black man is teaching a young boy – possibly his grandson – to play the ...
Senbanjo has coined his style of art, Afromysterics, meaning mystery of the African thought pattern. It incorporates African themes and African traditions. His uses charcoal and distinct patterns to create complex, story-rich art designs that draw heavily on his Yoruba heritage and feature ancient Nigerian symbols and patterns.
Design whizz Banjo Beale is all about getting creative to save money and help the planet. By Imy Brighty-Potts.
Her art is explanatory, metalinguistic function, speaks for itself, so that the public can grasp the meaning of the works and appreciate it. She is inspired by nature, the people who surround her, past and present experiences and the works of other artists, especially of the Renaissance masters.
Musicians Pete Seeger and Earl Scruggs helped reverse the situation and influenced banjo design; both musicians feature prominently in the museum. The museum has instruments related to different stages of Earl Scruggs career. Scruggs' first five-string banjo was a Gibson RB-11; the museum obtained an identical instrument that was made in 1938.
The Old Plantation, c. 1785–1795, the earliest known American painting to picture a banjo-like instrument, which shows a four-string instrument with its 4th (thumb) string shorter than the others; thought to depict a plantation in Beaufort County, South Carolina The oldest extant banjo, c. 1770–1777, from the Surinamese Creole culture.