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Margaret Petherbridge Farrar (March 23, 1897 – June 11, 1984) was an American journalist and the first crossword puzzle editor for The New York Times (1942–1968). Creator of many of the rules of modern crossword design, she compiled and edited a long-running series of crossword puzzle books – including the first book of any kind that Simon & Schuster published (1924). [1]
An American-style 15×15 crossword grid layout. A crossword (or crossword puzzle) is a word game consisting of a grid of black and white squares, into which solvers enter words or phrases ("entries") crossing each other horizontally ("across") and vertically ("down") according to a set of clues. Each white square is typically filled with one ...
The book received a strong positive review by John Updike in The New York Times, in which he said, "While not quite so sprightly as Stuart Little, and less rich in personalities and incident than Charlotte's Web – that paean to barnyard life by a city humorist turned farmer – The Trumpet of the Swan has superior qualities of its own; it is the most spacious and serene of the three, the one ...
Aric Egmont and Jennie Bass, a young couple in Boston, shared a love of crossword puzzles, and were accustomed to doing the Sunday crossword puzzle together. Intending to propose, and hoping for a great surprise, Aric approached Doug Most, the editor of the Globe Magazine, and through him, Cox and Rathvon, soliciting a special crossword. Cox ...
A 15x15 lattice-style grid is common for cryptic crosswords. A cryptic crossword is a crossword puzzle in which each clue is a word puzzle. Cryptic crosswords are particularly popular in the United Kingdom, where they originated, [1] as well as Ireland, the Netherlands, and in several Commonwealth nations, including Australia, Canada, India, Kenya, Malta, New Zealand, and South Africa.
White Elephant, Dirty Santa, Yankee Swap. It's the Christmas gift exchange that goes by a hundred names, with thousands of different rules that vary family to family.
He left a year later to go to Berlin, where he studied briefly before securing a post with the Meiningen Court Orchestra as assistant conductor to Hans von Bülow, who had been enormously impressed by the young composer's Serenade (Op. 7) for wind instruments, composed when he was only 16 years of age. Strauss learned the art of conducting by ...
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