Search results
Results from the WOW.Com Content Network
OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997.With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997.
The song begins with a discordant string harmony, [77] then a strummed D ninth chord acoustic guitar played by Yorke, [78] backed by B ♭ string tunes, creating a dissonant noise that moves between the D major and F ♯ minor chords. [77] O'Brien used guitar reverbs and delay effects, creating a melody that sinks between the A and E chords. [78]
A music video co-directed by Will Wood and Jim Horvath, with 3D animation by the latter, was released for "You Liked This (Okay, Computer!)" on June 10, 2022. [3] Standing's voice is represented by a wired mannequin head with screens, who begins speaking over sheep jumping across a fence .
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: ... Common chord (music) Diatonic function; Eleventh chord; Extended ...
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic , subdominant , and dominant ( scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
OK Computer OKNOTOK 1997 2017 is a reissue of the 1997 album OK Computer by the English rock band Radiohead. It was released in June 2017, the album's 20th anniversary, following the 2016 acquisition of Radiohead's back catalogue by XL Recordings from EMI.
For subdominant chords, in the key of C major, in the chord progression C major/F major/G7/C major (a simple I /IV/V7/I progression), the notes of the subdominant chord, F major, are "F, A, and C". As such, a performer or arranger who wished to add variety to the song could try using a chord substitution for a repetition of this progression.