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The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a piano concerto composed by Ludwig van Beethoven. Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf , who was his patron, friend, and pupil.
Beethoven spent a great deal of time on the concerto in estimated late 1814 and early 1815. [1] He made about seventy pages of sketches for the first movement, and even started writing out a full score (MS Artaria 184 in the Staatsbibliothek zu Berlin), which runs almost uninterrupted from the beginning of the movement to the middle of the solo exposition (bar 182), although the scoring ...
Piano Concerto No. 5 in E-flat major may refer to: Piano Concerto No. 5 ("Emperor") (Beethoven) Piano Concerto No. 5
Piano Concerto No. 5 refers to the fifth piano concerto written by one of a number of composers: Piano Concerto No. 5 (Bach) in F minor, Piano Concerto No. 5 (Beethoven) in E-flat major, Emperor; Piano Concerto No. 5 (Field) in C major, L'incendie par l'orage; Piano Concerto No. 5 (Herz) in F minor; Piano Concerto No. 5 (Litolff) in C minor
In Ignaz von Seyfried's words: [4] [5] When the master brought out his orchestral Fantasia with choruses, he arranged with me at the somewhat hurried rehearsal, with wet [6] voice-parts as usual, that the second variation should be played without repeat. In the evening, however, absorbed in his creation, he forgot all about the instructions ...
A comprehensive list of discriminatory acts against American Muslims might be impossible, but The Huffington Post wants to document this deplorable wave of hate using news reports and firsthand accounts.
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag.
Ludwig van Beethoven's Rondo for Piano and Orchestra in B-flat major, WoO 6 was composed in 1793 and originally intended as the final movement for his second piano concerto. [1] Hans-Werner Küthen states this was probably the finale for the first and second versions of the second piano concerto, being replaced by the final version of the rondo ...
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