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Anita Baltzley looks over a duplicate of a photo album created by her father, Canton native William Baltzly, who served in the U.S. Army Air Corps during World War II as a gunner-photographer with ...
Bodies on the battlefield at Antietam, 1862, Alexander Gardner. War photography involves photographing armed conflict and its effects on people and places. Photographers who participate in this genre may find themselves placed in harm's way, and are sometimes killed trying to get their pictures out of the war arena.
It presaged the development of the wartime photojournalism of World War II, the Korean War, and the Vietnam War. The number of Civil War photographs that are available contrasts sharply with the scarcity of pictures from subsequent conflicts such as the Russian wars in Central Asia , the Franco-Prussian War , and the various colonial wars ...
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 2] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e] [s 1] The ...
Over 80 years later, Dec. 7, 1941 is a date that still lives in infamy. The attack on Pearl Harbor launched the United States into World War II and left an indelible scar on the American psyche ...
After nearly 80 years and more than a half-million photos, Tony Vaccaro still vividly remembers the pictures he broke US Army rules to take.
The Picture of the Last Man to Die (1945) by Robert Capa. The Picture of the Last Man to Die is a black and white photograph taken by Robert Capa during the battle for Leipzig, depicting an American soldier, Raymond J. Bowman, aged 21 years old, after being killed by a German sniper, on 18 April 1945, shortly before the end of World War II in Europe. [1]
A significant later effort to collect and publish photos of the American Civil War in an almost duplicate manner as the 1911 release, was the National Historical Society's 2,768-page The Image of War, 1861–1865 in six volumes under the overall auspices of renowned Civil War historians William C. Davis and Bell I. Wiley as senior editors. [3]