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Sahasrara (Sanskrit: सहस्रार, IAST: Sahasrāra, English: "thousand-petalled", with many alternative names and spellings) or the crown chakra is considered the seventh primary chakra in Sanatan yoga traditions. The chakra is represented by the colour violet.
Jiulongsi fengguan (Chinese: 九龍四鳳冠) is the 9-dragons-4-phoenixes crown. Liulongsan fengguan (Chinese: 六龍三鳳冠) is the 6-dragons-3-phoenixes crown. Sanlonger fengguan (Chinese: 三龍二鳳冠) is the 3-dragons-2-phoenixes crown. Only the crowns of empresses and crown princesses (wife of crown prince) can have temple ornaments ...
In his six-armed form, Cintāmaṇicakra is commonly shown wearing a crown with an effigy of Amitābha Buddha and sitting in a "royal" position (mahārājalīlāsana, i.e. with his left leg tucked inwards and his right knee raised) atop a lotus on a rock protruding from the ocean - a symbol of Mount Potalaka, Avalokiteśvara's legendary abode.
Lexically, chakra is the Indic reflex of an ancestral Indo-European form *kʷékʷlos, whence also "wheel" and "cycle" (Ancient Greek: κύκλος, romanized: kýklos). [10] [3] [4] It has both literal [11] and metaphorical uses, as in the "wheel of time" or "wheel of dharma", such as in Rigveda hymn verse 1.164.11, [12] [13] pervasive in the earliest Vedic texts.
Keter or Kether (Hebrew: כֶּתֶר ⓘ, Keṯer, lit. "crown") is the first of the ten sefirot in the Kabbalistic Tree of Life, symbolizing the divine will and the initial impulse towards creation from the Ein Sof, or infinite source. It represents pure consciousness and transcends human understanding, often referred to as "Nothing" or ...
According to the traditions "Vishnu, in the form of Chakra, was held as the ideal of worship for Kings desirous of obtaining Universal Sovereignty", [6]: 48 a concept associated with the Bhagavata Puranas, a religious sanction traceable to the Gupta period, [7] which also led to the chakravartin concept.
In another creation myth, the Jade Emperor fashioned the first humans from clay and left them to harden in the sun. Rain deformed some of the figures, which gave rise to human sickness and physical abnormalities. (The most common alternative Chinese creation myth states that human beings were once fleas on the body of Pangu.)
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.