Search results
Results from the WOW.Com Content Network
Halloween II is a 1981 American slasher film directed by Rick Rosenthal, in his directorial debut, written and produced by John Carpenter and Debra Hill, and starring Jamie Lee Curtis and Donald Pleasence, who reprise their respective roles as Laurie Strode and Dr. Sam Loomis.
Dimension re-released Halloween II in North America on October 30, 2009, to coincide with the Halloween holiday, [33] across 1,083 theaters. [34] The film was released on DVD and Blu-ray on January 12, 2010; the theatrical cut and an unrated director's cut, which Zombie says is "very different from the theatrical version," are available.
An infographic illustrating the continuity between the Halloween films. Described by Scott Mendelson of Forbes as the "Choose Your Own Adventure" of horror movie franchises, the franchise is notable for its multiple timelines, continuities, remakes and reboots, which can make it confusing for new viewers, often leading to articles explaining the previous films before each new release.
Halloween II (1981) Picking up almost directly where the first left off, Michael and Laurie square up again—this time, ending in an all-out hospital brawl. And while neither of them make it out ...
Halloween H20 was released in Canada on Blu-ray by Alliance along with Halloween: The Curse of Michael Myers and Halloween: Resurrection on January 12, 2010. [36] On May 3, 2011 it was released by Echo Bridge Home Entertainment in the US but with an open matte 16:9 transfer, rather than the theatrical aspect ratio of 2.35:1.
A lawyer for sex trafficking victims in a ring allegedly run by ex-Abercrombie & Fitch CEO Mike Jeffries has doubts about claims he has dementia.
Newly hired University of North Carolina football coach Bill Belichick insisted Thursday he's sold on the college game and not looking for a steppingstone back to pro ball.
Halloween popularized many tropes that have become completely synonymous with the slasher genre. Halloween helped to popularize the final girl trope, the killing off of characters who are substance abusers or sexually promiscuous, [155] and the use of a theme song for the killer. Carpenter also shot many scenes from the perspective of the ...