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The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas , spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid , where it garnered the first gold medal (out of three). [ 1 ]
J. Elsner, "From the Culture of Spolia to the Cult of Relics: The Arch of Constantine and the Genesis of Late Antique Forms," Papers of the British School at Rome 68 (2000), 149–84. A. Esch, "Spolien: Zum Wiederverwendung antike Baustücke und Skulpturen in mittelalterlichen Italien," Archiv für Kunstgeschichte 51 (1969), 2–64.
An oil on canvas painting measuring 1.15 m × 1.57 m (45 in × 62 in), Las Virgenes Cristianas Expuestas al Populacho is a "landmark painting" depicting the persecution of Christians in Ancient Rome. [3]
Hymen, oh Hyménée! is a history painting done in the historical realism style, which is closely associated with Luna's earlier notable works such as Spoliarium (1884) and The Death of Cleopatra (1881). This artwork portrays a scene from a Roman wedding ritual, specifically the moment when the bride is entering the groom's chamber.
El Pacto de Sangre (1886), a masterpiece painting of the Pacto de Sangre or Sandugo by Juan Luna. Blood compact (Spanish: Pacto de sangre; Tagalog: Sanduguan) was an ancient ritual in the Philippines intended to seal a friendship or treaty, or to validate an agreement.
The Death of Cleopatra (Spanish: La muerte de Cleopatra), [1] also known simply as Cleopatra, [2] is an 1881 oil painting on canvas by the Filipino painter Juan Luna, currently on display at the Museo del Prado in Madrid, Spain.
Jose Rizal made this map from August to September 1892 assisted by Francisco Paula de Sanchez, his favorite teacher in Ateneo de Manila. It was intended as a way for teaching geography and history to Rizal's pupils in Dapitan and part of Rizal's beautification project to the town plaza. 2005 [17] Daraga Church: Daraga, Albay: 1773
In 1886, Luna was awarded a Diploma of Honor at the Munich Art Exposition [4] (also known as the Munich Salon) for painting Las Damas Romanas. [ 2 ] [ 3 ] The masterpiece was a classic work painted in the highest conventions of the academic style, and it was a representative of the "abundant richness of life, with humankind", represented by ...