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The top layer (the bird) is partially transparent, so the background clearly can be seen through its wing. In this picture the top layer has a drop shadow, a red color overlay of 40%, a gradient overlay from red to yellow of 20% opacity, and a slight bevel effect.
Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
If the focal lengths of the two lenses for light at the yellow Fraunhofer D-line (589.2 nm) are f 1 and f 2, then best correction occurs for the condition: + = where V 1 and V 2 are the Abbe numbers of the materials of the first and second lenses, respectively. Since Abbe numbers are positive, one of the focal lengths must be negative, i.e., a ...
A compensating technique, commonly known as Anachrome, uses a slightly more transparent cyan filter in the patented glasses associated with the technique. Processing reconfigures the typical anaglyph image to have less parallax to obtain a more useful image when viewed without filters.
The edges of characters and other images with transparent background should not have shades of gray: these are normally used for intermediate colors between the color of the letter/image and that of the background, typically shades of gray being intermediate between a black letter and a white background. However, with, for example, a red ...
Photoshop, Photoshop Elements. Commercial computer applications developed by Adobe for editing digital images. [20] RGB: RGB color space. An additive colour space that uses the primary colours of red, green and blue to create any colour. There are several variants: sRGB, ISO RGB and some proprietary standards.
For example, a yellow filter or, more dramatically, an orange or red filter, will enhance the contrast between clouds and sky by darkening the blue sky while leaving the clouds bright (after exposure compensation).
In volumetric lighting, the light cone emitted by a light source is modeled as a transparent object and considered as a container of a "volume". As a result, light has the capability to give the effect of passing through an actual three-dimensional aerosol (e.g. fog, dust, smoke, or steam) that is inside its volume, just like in the real world.